Pixels, by Patrick Jean

Short film imagining what it would be like if the video games of 30 years ago attacked New York City.

Yatta!

Nine years old, this one.

Japanese parody of a boy band music video, that also managed to climb to #6 on the Japanese pop music charts. [Wikipedia link]



YouTube link

We've got recession these days,

In goverment we've no faith.

Could we hit "reset," that'd be number one!

And since we're all here, it's just so much fun!

For those interested in the English translation of the lyrics.

[Via @EffingBoring.]

Ben Folds Serenades Random Strangers via ChatRoulette

(hat tip to Fratelli Bologna)

ChatRoulette is a web site that randomly pairs people with webcams to each other. Want to chat to a complete stranger? OK!

Ben Folds, at a concert Saturday night in Charlotte, North Carolina, had his laptop and webcam open on his piano (and the screen projected so the audience could see it, so that he could serenade random strangers via ChatRoulette for 30 minutes. This clip is a 5 minute highlight reel.

Note: contains profanity.




Entitled "Ode to Merton," the piece is a tribute to "Merton," a ChatRoulette user who gained fame/notoriety a week ago for doing improv piano on ChatRoulette. (Merton's YouTube Channel: http://www.youtube.com/user/PianoChatImprov)

Late to the Plants Vs. Zombies Party

Videogame composer and sound effects artist Laura Shigihara was wrapping up work on a cartoony tower defense title named Plants Vs. Zombies, in which a garden of plants defend a suburban house from a zombie invasion. She was struck with the idea for a J-Pop-style theme song to go along with the game.

The developer loved the song (because WHO WOULD NOT), and quickly put together a music video, which has garnered 1.7 million views on YouTube since it was posted last spring:



YouTube link

The song (available in both English and Japanese) has been on heavy rotation on my iPod since I discovered it a few weeks ago.

This week Plants Vs. Zombies (originally for Windows and Mac) came to the iPhone, and I decided to download and try it. It could very well be the title that turns me into one of these so-called “casual gamers”.

It. is. awesome.

Mashup: Ocean's Eleven and The Great Muppet Caper

The Kornbluth Brothers: Movie Pitch for "Love and Taxes"

Josh and Jake Kornbluth pitch their latest movie, Love and Taxes, based on Josh's monologue of the same name, a sort-of sequel to Haiku Tunnel.

As an indie feature, they are shooting it bit by bit (as funding allows), and there's already a rough cut of one scene available: YouTube link

More info about the film at JoshKornbluth.com and the film's
fundraising page at IndieGoGo.

Perks for donors: methinks the $1040 level perk is a better deal than the $2500 appear in the movie: at the 1040EZ donation level you get a Case Name. In my book, being name checked in a scene about tax law would be even cooler than a walk-on.

The unlikeliness of Susan Boyle

My mom sent me this seven minute YouTube clip (embedding disabled) from last Saturday's "Britain's Got Talent" broadcast. If you haven't seen it I'd encourage you to give it a look rather than read my half-formed yammers about it.

I hate these shows. And while I am not a fan of the reality show in general*, by "these shows" I mean specifically the reality (and celebrity-reality) talent show. I hate the cruelty, the commerciality, the artifice, and the garish expressions of the lowest common denomination of taste. Oh and how I hate the padding.

But I cannot deny these shows' appeal. Which finds somewhat of an apotheosis in these seven minutes.

There is still much to be cynical about here: the bassoon underscore playing up the awkwardness of the contestant, the maudlin praise, the underlying condescension of the format. But as much as I wanted to dismiss this, or deconstruct it, there is something undeniably genuine and awesome in this moment.

Because despite all of the forgettable hours of ridiculous costumes, hairstyles, and product placements what everyone involved--the producers, the judges, the audience--most wants, deep down, is to witness is a nobody stepping out on the stage and coming back a star.

See it for yourself.


*Excepting Top Chef, The Amazing Race, and for a while I was able to enjoy Survivor.

Oscar Mayer Commercial

via boingboing

Jaw-dropping YouTube remix "album"

A great deal of hip-hop and electronica artistry begins by digging in used record bins, searching for bits and pieces that can be digitized, chopped up, and reassembled into something new. A snare fill here, a bass line there. Snippets of guitar riffs, piano arpeggios, vocal backing tracks, etc.

For his latest seven-song "album", ThruYou, Israeli musician Kutiman dug into a different wellspring for sampled sound: YouTube.

There he found a treasure trove of audio: drummers, pianists, flautists, church organists, string quartets, guitar soloists, harmonica and bouzouki players, a capella singers and rap freestylists. Plus video after video of synthesizers, vocoders, and audio effects box tests, oscilloscopes and wave form generators, even the sounds of pressing buttons on mixing equipment he was able to put to use. He calls "ThruYou" the "1st movement", an apt choice given that this particular wellspring is so vast (and ever expanding).

I wasn't able to wrap my head (or heart) around the nerd remix smash hit of 2008, Girl Talk's "Feed the Animals". That madcap stirfry of the past few decades of rock, pop, and hip-hop (finely diced and shredded) seemed best enjoyed whilst reading the Wikipedia article that catalogued all of the samples to the second.

Here you quickly realize that Kutiman used video editing software to assemble his mashups, meaning that you can SEE his source material unfolding in front of you. (In his words, "What you see is what you hear.") For me, watching these dozens of random faces and hands, posted initially to YouTube by disparate strangers hoping to instruct, to perform, to show off, to practice, or to simply connect, now juxtaposed in rhythmic counterpoint in ways they could not have foreseen was surprisingly emotional.

It felt like one of the those moments where a technology-fueled future felt more (rather than less) human, and the possibilities for art and music and creativity opened wide.

Plus I liked the tunes. (My favorite is embedded above.)

See and hear them for yourself. Alternate link here, if the site is down.

(Via Andrew Sullivan.)

"a brighter day will come"

My friend Pani linked to MC Yogi's pro-Obama hip-hop video "Vote for Hope" last week, both for its relaxed vibe and its skillful use of motion graphics.



I figured it might take off big, like "Yes We Can", but so far it hasn't (just over 100,000 views so far). The rhymes are a bit simplistic, but the song's bassline, beats, and snippets of Obama's speeches have hooked it in my ear.

And almost any speech by Obama is a reminder of the value of oratory to the presidency. I remain hopeful that come election day the numbers will move towards this candidate who despite his flaws speaks a vision that speaks to people's hope for the future for themselves and their children.

And not to the once-dignified shell of a man who seems only to speak in sneers, sarcasm, derision, and scorn.

YouTube link

Theme from Shaft. Live. On Ukuleles.

Sheer awesomeness from the Ukulele Orchestra of Great Britain, at the Cambridge Folk Festival in 2007.

I'm also quite partial to their covers of:

Ennio Morricone's main theme to The Good, the Bad, and the Ugly
and
You Don't Bring me Flowers

Late Show - George W. Bush: How'd He Do?

Letterman & Co. look back at Bush's promises from the 2000 campaign and sees how well he executed on them.



YouTube link

Take On Me: Literal Video Version

Filmmaker and musician Dustin McLean literalizes A-Ha's iconic video from the 80's.

Ever wish songs just sang what was happening in the music video? Well now they do.

Hat tip to Chordstrike

Les Misbarack

An improv company from LA pays homage to Obama. Or Les Mis. Or something:



Is it me, or does framing the election as the finale of Act I of Les Mis, seem to miss the point of both the campaign AND the musical?

It's been twenty years, so it's kinda hazy, but IIRC this song musical counterpoint threading together inner emotional monologues from disparate subplots and building to a thunderous was meant to musically browbeat the audience into an emotional frenzy-- not because anything was resolved in the story to this point, it wasn't, but because Schoenberg wanted the audience to stay for the second act.

(Also, I'm not sure but I think the tune keeps modulating and the chord progression never resolves until the very end of the four minutes)

Also, while it's framed here as a rallying point for the Obama campaign, in Act II of Les Mis, the mob on the barricades is abandoned by the people and they all realize they're going to be crushed like bugs and that their movement accomplished exactly nothing and then they all die. Maybe that's the point, but seeing as this is coming from an improv group I kinda think they didn't think that far ahead.

Especially because most of lyrics expressed here DON'T fit the visual narrative (a one location number? no way. And if McCain is Javert in what possible world does it make sense that Palin is Madame Thénardier?)

Okay, I've just spent way too much time on YouTube and Wikipedia fact-checking a musical I wasn't that interested in two decades ago just so I could confirm that
this new mashup squandered a key musical theatre geek callback: the marching in place of the actors.

Although I have to say it's growing on me. The fourth time around the video isn't so grating and I'm ready to dash out to the lobby to buy me one of them tricolour Cosette/Obama mashup t-shirts.