"Mom, Dad, I'm Into Steampunk"

(via boingboing)

This gem available on Timothy McSweeney's Internet Tendency: Short Imagined Monologues

If you want to label me retrofuturistic so I can fit into your compartmentalized worldview, that's fine. But look past my airplane goggles. This is my lifestyle.

Dubya: It's The End of the World As We Know It

via I'm Learning to Share:

Mashup of George W. Bush covering REM:

Ernie & Bert Ante Up

This does not appear to be the first example of someone recutting Sesame Street footage to match up the muppet lipsync to rap songs, but the execution on this one definitely makes it a winner.

Here Ernie & Bert take on M.O.P.'s hit "Ante Up".



YouTube link

via Monoscope

Slate: You've already spent your tax windfall on gas and bread.

Citing Merrill Lynch's chief economist, Slate's Daniel Gross writes:

The chunk of the stimulus package likely to get spent is roughly equivalent to the amount Americans are paying for higher food and gas prices because of inflation. Put another way, you've already spent your stimulus at ExxonMobil.

Here's the math. Merrill Lynch is basing its calculations on two assumptions:
1. that Americans will spend only 40% of their rebate (and pay down debt with the rest, or save it); and,
2. energy and food inflation combined is costing us $50 billion per quarter.

Total stimulus package in rebates: $120 billion.
40% of 120 is 48 billion, eaten up in one quarter.

At first I thought, big deal, there are still three other quarters in the year. People might--operative word, might --choose to spend more than 40% of their rebate. Say, 100%.

$120 billion minus $50 billion minus $50 billion minus $50 billion (3rd quarter) minus $50 billion (4th quarter)...

Oops.

We don't track the gasoline expenses in our house, but this year we're on track to pay $700 extra in groceries, not because the kids are eating more, or because of more organic produce, but simply the increased cost of everything at the store. $4.50 gasoline doesn't faze me. But $4.50 bread: I get sticker shock.

Wait. This isn't a fake documentary?

(via Whack-a-Flick)

I watched this movie trailer, and wondered at first if it was a low-budget indie movie. Then, once the trailer revealed its premise, I thought it was a put-on. Like Christopher Guest doing a "Best in Show" take on the war in Iraq. (Warning: graphic images in the trailer)



Turns out, this is a straight ahead documentary.

There really is a fake town in the Mojave Desert where the military pays Iraqi refugees to play the part of Iraqi police and insurgents so that the army can conduct war games, complete with fake explosions and movie make up and funerals.

J. Hoberman's review in the Village Voice

David Edelstein in New York magazine

Ethicurean: Eating Local isn't about Greenhouse Gases

Ethicurean, the group blog dedicated to the notion of food mindfulness, or, as they so artfully put it, "Chew the Right Thing", responds to Dubner's post in the New York Times Freaknomics blog.

Well, not directly. They respond to the same peer reviewed study that Dubner cites in his blog, namely "Food-Miles and the Relative Climate Impacts of Food Choices in the United States," by Christopher L. Weber and H. Scott Matthews.

The paper does note that the last miles to the table are not the major source of greenhouse gas emissions... agricultural inputs are. So you make more of a "green" impact by reducing consumption of red meat (since you're using a lot less agricultural inputs (fertilizer) to grow soy and corn which is fed to methane-producing cattle) than by buying local.

Ethicurean doesn't disagree. But their analysis of the paper doesn't lead them to the conclusion that local isn't better. There are other quality of life reasons for eating locally (which Dubner doesn't address... since he sticks to simple economics).

Ethicurean also stands up to Salon's recent attack on localvores here:
http://www.ethicurean.com/2008/06/28/salon-locavore/

A dissenting commenter on this latter post dismisses the food miles issue and notes: "I buy food at farmers markets. Mostly for the reason you mention: it's picked later and thus tastes better."

I'll See Your "Jordan Jesse Go" and Raise You: The Bugle

For a while I was limiting my comedy podcasts to bootleg RSS feeds of the CBC's Wiretap --Jonathan Goldstein's weekly offering which lands somewhere between a solo sitcom and a Larry David-inflected version of NPR's This American Life.

But while it was funny, it was an acquired taste. Like David Sedaris' work, you had to get used to the voice, and then the mind behind the voice, and over time, as you got to understand Goldstein's quirks and the regular foibles of his co-stars, the humor built up occasionally into laugh out loud moments.

Then the feed stopped. Don't know why.

Then, a chance bit of Facebook trivia ("Brett S. has joined the group The Bugle- Audio Newspaper for a visual world") led me to follow the link to, of all places, the The Times Online, the web site for one of the United Kingdom's national newspaper.

The Bugle has British comedy writers John Oliver and Andy Zaltzman dissect the news of the week. They've been compared to The Onion, but fake news is a mere 5-10% of their show. They comment on the news-- it's more like The Daily Show (Oliver, is, in fact, a writer and correspondent for that show).

The two hosts also play off each other, like the Car Talk guys, but, I have to say, English accents work way better for this shtick than Boston ones.

With Zaltzman based in London, and Oliver in New York, they tend to cover world affairs... and it's surprising how many laughs they can generate over political violence in Zimbabwe, the war in Iraq, the global response to climate change (true, much of the humor is at the expense of the United States). The international perspective on American politics is nice to hear, and they even make British sports (rugby, cricket, football) funny knowing that their American audience has little idea what they are talking about.

At least one laugh out loud moment, usually more, per episode.
3 out of 4 episodes will actually find me in tears from laughing so hard.

Available on iTunes, or get episodes here: The Bugle

Vintage Americana

For your 4th of July viewing pleasure, a glimpse of our nation's halcyon days as viewed through the lens of "Dynasty".  I see in this charming folk-dance an echo of Martha Graham's work in "Appalachian Spring".

TED 2008: Benjamin Zander on classical music

This made the rounds on a couple of arts administration and theatre blogs, and it's my second favorite TED talk of all time.

Benjamin Zander is the conductor of the Boston Philharmonic. I didn't know that when I followed the link. I watched it because a couple of bloggers found it a great example of evangelizing for the power of art.

Julia Nunes: Singer-Songwriter, YouTube artist

I'm a bit delayed in writing about Julia Nunes (pronounced "Noons"). (Tom blogged about her way back in May.)

She's a college student in upstate New York, who over the past few months has built up a strong YouTube following, with more than 30,000 subscribers and with many of her videos topping 200,000 views.

Her "schtick", at first glance, is performing covers of pop hits directly into her iSight camera, while accompanying herself on ukulele. She won a uke manufacturer's "World Ukulele Video Contest" back in December for her cover of Destiny's Child's "Survivor."

Here's a characteristic performance from last September, of NSYNC's "Bye, Bye, Bye":



(Link to video)

Where most amateur musicians with Macs might use GarageBand as songwriting tool, Nunes started using the iSight and iMovie for that purpose after taking a high school new media class, performing in-progress songs as videos (according to an interview she gave this year). She got comfortable adding harmony tracks, percussion, or alternate guitar or ukulele tracks by listening to the main video playback using iPod earbuds, and then editing the multiple tracks/takes together.

Here's her cover of The Weather Girls' "It's Raining Men" featuring herself on harmony vocals:



(Link to video)

Nunes' comfort in performing to the camera, her clever multitracking, and her goofy enthusiasm make her a terrific match for YouTube. But I think even more than these, it is her willingness to publish unpolished or unguarded moments that creates a feeling of sincerity and authenticity, and builds an emotional connection with her viewers.

Here, for example, is an original song of hers entitled "First Impressions", in which emotion flits across her face in reaction to both the lyrics and the awkwardness of a couple of her chord changes.



(Link to video)

Revealing this kind of vulnerability is antithetical to traditional showmanship, but creates a powerful emotional hook particular to online/portable video (small formats where the viewer stays close to the screen, enhancing a feeling of intimacy). Plus she responds in video to the many video comments she receives, and has started up a separate YouTube channel just for videos of her talking to her fans and peers.

In fact it's as a YouTube artist that I most admire Nunes. I ponied up the $10 to order her CD of original songs, which pretty much matches one's conception of an album by an earnest college freshman singer-songwriter. (It doesn't feature the song above, but does include both a studio and live version of her hit single.)

It'll be interesting over time to see what kind of musical "career" she can build, either through touring and live performances (she opened for Ben Folds for a few nights in May, and headlines a show at the Knitting Factory next week) or as a mostly online presence. Like Jonathan Coulton, she's got just enough technical savvy to have established something like a direct relationship with her fan base, even if it is using someone else's platform.

Speaking of which, she's savvy enough to know that the still image shown to represent YouTube videos comes from the exact middle of the video. So she cleverly spliced this quick flash frame into her video of "Build Me Up, Buttercup" so as not to give away a surprise she had in store.



(Link to video)

You can visit Nunes' main YouTube page or on MySpace, or buy her CD at her home page.

Swayze! Baio! Buzzi! Barty!

The trailer for "Skatetown, U.S.A." (1979) features some tasty bites of Patrick Swayze (here in his movie debut as Rollerskate Gang leader "Ace Johnson"), and plenty of contemporary flamboyant fashion and lighting.

The cast, as glimpsed in the trailer and as listed at IMDB, reads like a punchline we might have come up with in college: Scott Baio, Swayze, Flip Wilson, Ruth Buzzi, Maureen McCormick, Ron Palillo, Billy Barty, Melissa Sue Anderson, Murray Langston ("The Unknown Comic"), Judy Landers, and Dorothy Stratten.



An extended synopsis with a few screencaps can be found here.

(via Nick Adams, pointing to a screening this Saturday in Los Angeles)

Russian Winnie-the-Pooh

Soviet-era (1969) animated film adaptation of Winnie-the-Pooh and the Honey Tree, featuring an illustrative style quite unlike either Disney or the original Shepard illustrations.

In this telling Piglet provides the balloon to Pooh, walks beneath his umbrella saying the Russian equivalent of "Tut, tut, it looks like rain," and shoots the balloon with his gun.



via Boing Boing

Freakonomics: Do We Really Need a Few Billion Locavores?

On the NYT Freakonomics blog, Stephen J. Dubner tackles the question of whether the inefficiencies of growing our own food wouldn't actually be more resource-intensive than relying on the food grown by professionals. As his launching off point he recounts his family's experiment with making their own orange sherbet.

We spent about $12 on heavy cream, half-and-half, orange juice, and food coloring — the only ingredient we already had was sugar — to make a quart of ice cream.... In the end, we wound up throwing away about three-quarters of what we made. Which means we spent $12, not counting labor or electricity or capital costs (somebody bought the machine, even if we didn’t) for roughly three scoops of lousy ice cream.

Link

The High School Tony Awards

The Onion News Network with television coverage of the High School Tony Awards:


Link via Eli Goretsky.

Make fun of "The Happening" without having to, you know, see it

Christopher Orr was scheduled to write a review of M. Night Shyamalan's "The Happening" for The New Republic. He found it so stupefyingly bad, however, that he instead compiled a list of its worst aspects.

Of course this list "spoils" the movie for anyone who had planned to see it (or who were expecting anything like "suspense"), in order that those who had planned never to see it would have plenty of material with which to mock the film without having to sit through it themselves.

Since the threat driving the movie is a colorless agent in the air, Shyamalan has nothing, really, to dramatize visually. He solves this by showing a strong wind every time the deadly agent appears.... [W]e get leaves blowing every time people are going to die, and a hilarious scene where Elliot et al. are running across a field trying to outrace the wind. It's like the climax of Twister, without the twister.

It's a fun read, once you get past the point where Orr acknowledges having a thing for Zooey Deschanel.

Via Kottke.

Avenue Jew

An eight-minute skit mashing up the casts (and songs) of AVENUE Q and FIDDLER ON THE ROOF, from an April 2004 Broadway Cares event (back when Stephanie was still in the show).

Includes subtitles (in English) to help navigate the less-than-perfect sound.



Via Eli Goretsky.

Meet the Wisenheimers: Twitter's Comedy Underground, Part 2

In Part 1 of this essay I wrote (in 1800+ words) about how Twitter's pack of wisecracking kids evolved to the point where they are today. As more funny people hop on board, one can expect that the "community" will fracture and fall apart, with misunderstandings and blood feuds and decades-long grudges, until the children of this first generation of Twitterers grow up, meet, and fall in love, against the wishes of their embittered parents.

Let's say you're just starting out on Twitter and are daring it to entertain you. In this, the second and final part of this epic post, I'll answer the question: "Who should I follow?" And I'm not including Robert Scoble or Kevin Rose. (You can also take Nick Douglas' advice on the matter.)

As with all forms of comedy, your mileage may vary. Click on a thumbnail to visit each person's individual page to decide for yourself.

Women on Twitter who make me laugh

@AmyJane Married to @gruber (see below). Mercilessly unafraid to skewer her husband or four-year-old son to get a laugh.

AmyJane Doctor asked me what I use for birth control. I should have told her that my husband takes photos of bad quotation marks. That's all I need.

@communicatrix Former advertising copywriter (and erstwhile compadre of Ana Gasteyer) Colleen Wainwright.

communicatrix I'm either going to have to rethink the "pistachios as reward" thing or the "fitting in these pants" thing.

@EffingBoring Rachel, from Brooklyn, "dynamite with a laser beam; extraordinarily nice." Partial to hiphop quotations and dick jokes. Recent winner of the You Look Nice Today white carnation.

EffingBoring Clothes shopping at Target. Apparently "in" this season: looking ambiguously pregnant, patterns that clash with themselves, yelling at kids.

@verdandi Criminally underfollowed. Expert observational humorist, brilliant absurdist.

verdandi Found 4 pens stuck in my hair, and it's not even noon.

@phillygirl A lot happens "offscreen" in phillygirl's tweets.

phillygirl You'd think singing "Domino Dancing" (incl. horn solo) while waiting in line would act as a deterrent to conversation-starting. You'd think.

@ShuffShuffGraduating high school senior, New Hampshire.

ShuffShuff Someone asked if I would sell them my Fugly Satirical Sunglasses today. "... but you're not supposed to *like* them!" Ugh, fuck fashion.

@echuckles Elizabeth Chuck, NYC. Has an ambivalent relationship with the shift key.

echuckles i've got a lot of questions about olives. like, a LOT

@ohheygreat Leah, student splitting time between Berkeley and the OC. Self-admitted total spaz; boss of the run-on sentence.

ohheygreat Have you ever scratched your nose & noticed your hand smells like horse only you haven't petted one in weeks and what the fuck did I touch.

@brittneyg Brittney Gilbert, Berkeley/SF. Uses Twitter for reasons other than cracking jokes, but can be funny when she wants to be.

brittneyg Yes, Wolf Blitzer, I am in the Situation Room, but it is not by my own hand, and I want the fuck out.

@kissane Writer and editor, Portland.

kissane Reason #85,097 not to live in Kentucky: Dramatically increased chance of discovering dead guy on your morning walk to the river.

@vmarinelli Victoria Marinelli, Richmond, VA. Seriously high-volume (not everyone is willing to follow her, for this reason). Flirts endlessly (and profanely) with women and men alike, but I find her parenting tweets the funniest.

vmarinelli Second to last day of our health insurance. Anybody in this house wants to get sick over the next few months, they'd better do it RIGHT NOW.

@AinsleyofAttack Ainsley Drew, freelance writer out of Portland. Smart, biting, with an aggressively raunchy (bi-) sexual persona that is spinning the wisenheimer boys into a bit of a frenzy. A bit much for my own tastes at times, but she's hella good at what she does.

AinsleyofAttack At the grocery store I just checked a girl out so hard they had to call for clean up. Cuidado, piso mojado.

@dooce "Mommy blogger" Heather "Dooce" Armstrong

dooce The 80-yr-old man on the treadmill next to mine was running twice as fast as I was, but I win because I had cuter shoes.

and then there are also boys

@SeoulBrother "Half Seoul. All brother." Up for any meme, any time. From his swipes at conference calls I gather that he has a job, but I also imagine his bosses don't realize what they are paying him for.

SeoulBrother Countering your 'monetize' with 'mad chedda.' Now that's playing the race card. Also, knuckle bumping is over. Draw 4. Uno. OUT.

@Remiel An early winner of the You Look Nice Today white carnation for tweets such as:

Remiel Tact is the art of deciding between "not really interested" or "really not interested."

@Moltz John Moltz, creator of the parodic Apple fan site Crazy Apple Rumors. Went on an extended, hallucinogenic tear through the TED conference (which, one suspects, he did not actually attend.)

Moltz At TED: Not proud of it, but I just had to punch Doris Kearns Goodwin in the face. Actually, you know what? I am proud of it. *Sick of her.*

@badbanana Tim Siedell, Nebraska. Surreal, minimalist one-liners from America's heartland. Doesn't just hang with the wisenheimers (he follows 700+ other people on Twitter).

badbanana Soon, I won't be able to afford my favorite meal of rice and crude oil.

@gknauss Greg Knauss. Was funny before Twitter.

gknauss Packing away kid crafts and becoming convinced that goddamned glitter should be banned. Next: Vacuuming, apparently.

@gruber John Gruber of Daring Fireball fame. Most of his tweets are about coding or Apple Inc. (neither of which may interest you), but he is the starting point for many a Twitter meme. Also worth following as the butt of many of @AmyJane's jokes.

gruber Fell down the stairs 15 minutes ago. Goddamn wife is still fucking laughing about it.

@magnetbox Ben Tesch, web designer/developer, Seattle.

magnetbox Take out the mixed case, and an e-mail exclaiming "There Will Be Blood shipped to you and arriving on or around Friday" doesn't sound good.

@zeldman Jeffrey Zeldman, co-founder, A List Apart.

zeldman Last time I checked my ass, I couldnt pull that kind of work out if it.

@jimray Journalist/ruffian from Seattle.

jimray Man, once a Sharepoint site gets created, it goes from project to Project Managed!

@nevenmrgan Developer (you might be sensing a trend), Portland.

nevenmrgan At Chipotle, a friend orders a "small burrito". In the back, an old woman cackles menacingly - "Small!" - then vanishes in a cloud of smoke.

@textism Dean Allen. Another damn developer; this one the creator of Favrd, the site that captures the wisenheimers' favorite tweets.

textism Please shut the fuck up about Comic Sans. Comic Sans isn’t the problem. Times New Roman is the problem.

Other wisenheimer favorites include @Mike_FTW, @FarkerPeaceboy, @fedge, @awryone, @fireland, @strutting, fake clippings from a @larrykingcolumn, and an obscene fake @soupysales.

plus some you may know from other contexts

@hodgman THAT John Hodgman. Still trying to figure out how to use Twitter, but getting there.

@hodgman SOMETHING BRIEF AND HILARIOUS That is all.

@jonathancoulton Internet geek troubadour Jonathan Coulton. Posts infrequently, mostly texted from the road or while he's on parent duty.

@jonathancoulton Dippin Dots is the ice cream of a future that I don't want any part of.

@apelad Cartoonist Adam Koford, creator of the LOLCats comic.

@apelad In Soviet Russia, your pants spill salsa all over _you_.

@youngamerican Jesse Thorn, from The Sound of Young America and Jordan, Jesse, GO!

@youngamerican Do you ever get jealous of observant jews? They always look like they're goin' places.

@Jordan_Morris Boy detective. The Jordan half of Jordan, Jesse, GO! New this week to Twitter, but already getting the hang of it.

@Jordan_Morris Nintendo: Trying to combine video games and exercise is like trying to combine sex and punching.

@jdickerson John Dickerson, Slate political writer and co-host of the Slate Political Gabfest. One of the few wisenheimers that follows the election, in part because it's his actual job.

jdickerson It's not just Kentucky bluegrass that's music to my ears but the comforting victory state pun at the top of every one of my speeches.

and the hosts of You Look Nice Today

The current hub of Twitter comedy culture is the podcast "You Look Nice Today" (read Part 1 for more), hosted by @scottsimpson, @lonelysandwich, and @hotdogsladies.

@scottsimpson

@scottsimpson I figured it out. The spider, whose web I break every morning en route to my car? He's not stupid--his insurance company is.

@scottsimpson The music in your car always sounds like the soundtrack to a movie I don't want to see." —my wife

@scottsimpson Bathroom key fob size inflation is rampant in SF. At some point the key is just going to be bolted to a barista.

@lonelysandwich

@lonelysandwich My heart is telling me one thing and my bangs are telling me something completely different.

@lonelysandwich If the headline "Obama breaks with former pastor" makes me picture them popping and locking, it doesn't mean I'm racist, just nostalgic.

@lonelysandwich If there's a way of looking good while a pigeon flies INTO YOUR FACE, I'm one step closer to finding it.

@hotdogsladies

@hotdogsladies American Apparel tailors their shirts for men who aren't fortunate enough to share my sophisticated relationship with pie.

@hotdogsladies Oh, great. Now I smell like Febreze AND a warm hoagie.

@hotdogsladies Nice thing about a 2-year waiting list for a $7k purse is you can use the time to start sorting out exactly what the fuck is wrong with you.

in closing

I'm certain I've omitted several people. Just doing my part to get the blood feuds up and running. (Updated 6/9: Case in point: @nevenmrgan)

As I explained in Part 1, one can always find new Twitterers to follow by checking the Favorites page of anyone whose sensibility you appreciate. Or by keeping an eye on the front page of Favrd.

Of course not everyone on Twitter uses the platform solely as a hyperactive, distributed class to clown in. You might even decide to follow people you actually, you know, know.

But figure if you're still reading at this point you might decide to follow me:

@cjereneta I do not have a job that allows me to Twitter. Hang on--missing a period in there. I meant: I do not have a job. That allows me to Twitter.

Once I manage to build up a steady income we'll see for how long I can manage to stick around.

Meet the Wisenheimers: Twitter's Comedy Underground, Part 1

When I first joined Twitter, I mostly followed other videobloggers (who generally would follow me back) and famous people (who generally would not). As a social network Twitter has a one-way affinity structure, meaning you can follow people without them having to follow you in kind.

(I linked to a video earlier about what Twitter is and why a normal person might be interested in it.)

This one-way architecture means you get to choose whose 140-character or shorter posts ("tweets", in the vernacular) show up in your Twitter feed. I often describe it as a custom CNN newscrawl, in which you have pre-selected the writers for the content you expect they will provide. Or alternately as a steady stream of office chatter by workmates that you have hand-picked for their conversational value.

It's therefore up to you how to tune your mix of breaking news, tech convention updates, meetup invites, party gossip, internet links, lunch reports, clarifying insights, wisecracks, and updates from people you actually know. This process happens over time, as you follow new people, or "unfollow" others (because they tweet too often, or because they irritate or bore you).

By the time I joined in fall of 2007, Merlin Mann (@hotdogsladies) had already attracted thousands of followers for his snappy one-liner tweets—a hilarious mix of hype-deflating similes, wince-inducing self-deprecations, adolescent dick jokes, and inside nerdball. Most people know Mann from his productivity blog 43folders.com or the podcast MacBreak Weekly, but he had already spent years honing his minimalist writing skills on his site of ridiculous lists, 5ives. But on Twitter, Mann had something something apotheosis something something. (sic)

One of @hotdogsladies's social groups on Twitter was a cluster of wisecracking Mac software developers¹ he already knew, the most "famous" of whom, John Gruber, author of the popular daringfireball.net², had built up a Twitter following as large as Mann's. Where others might use the 140-character space for a quick, cheap aside, @gruber shot through it with the blunt force trauma of swiftly-delivered declamatory statements, made definitive (and often hilarious) with the masterful application of punctuation, capitalization, and well-placed expletives.

Thus another social cluster began to form that had no connection prior to Twitter, around a culture of using Twitter almost entirely for the purpose of cracking wise. These like-minded Twitterers found each other using two of the site's built-in features.

While the "follow" stream is one-way, the use of the "@" tag allows anyone to "reply" to people upstream from them. The person who doesn't currently follow you can choose to ignore your reply, or (if you are annoying) block you (meaning you can't follow or reply to them any more). But if s/he reads your reply, and likes it, s/he might click over to read some of your other tweets, and decide that you're worth following yourself.

The second feature, one that isn't used by the majority of Twitter users, is the "favorite". Next to each tweet (in the standard web page interface) is the graphic of a star. Click it, and that tweet is added to your list of "Favorites", publicly accessibly via your profile. So you can check out the Favorites list of someone you find funny to discover Twitterers that person finds funny.

So like bloggers who constantly check their stats for traffic volume and incoming links, these jokesters wanted a way to find out who was marking a tweet they wrote as a "favorite". One could click through to the individual Favorites page of every person who followed them, but that could get tiresome, even for those with serious self-esteem issues.

Along came the website Favotter, the side project of a solo Japanese developer, which scraped Twitter for the Favorites selections of about 1,000 Twitterers who used the feature the most often. At last the wisenheimers could track which of their tweets had "scored" with their peers (and with how many of them). Favotter could also be used to discover new "talent", by scanning which tweets were being recognized by one or more peers.

Favotter accelerated the speed of the Twitter ego feedback loop, turning this small corner of Twitter into a near-constant stream of witticisms, profanities, and absurdities. (Remember that there were hundreds of thousands of Twitter users who were using Twitter for entirely different purposes.) The Favotter one-upsmanship among the wisenheimers was generally offset by how generous everyone could be (and was) with the Favorites star. Unlike, say, the Onion writers' room, there was no numerical limit on the number of jokes that could get the thumbs up. More popular Twitterers would also call attention to those with fewer followers.

Another third party tool was the startlingly good search tool, Summize, which offers near-real-time scanning of tweets. Keeping Summize open in a tab allows one to check quickly to see if someone has already made the joke you're about to submit.



This spring @hotdogsladies (with, at that point, more than 13,000 followers) started an audio podcast with two of his favorite Twitterers, @scottsimpson (Scott Simpson) and @lonelysandwich (Adam Lisagor). "You Look Nice Today: A Journal of Emotional Hygiene", brought the Twitter underground comedy scene into a much broader internet underground (readers of Boing Boing, maximumfun.org, John Hodgman's blog). People in the internet community had known Simpson previously (from his podcast-related job), but Lisagor, a digital special-effects artist from LA, was new to everyone, having emerged as a minor Favotter star with his absurdist, often mindbending tweets. (@lonelysandwich responded to a series of running Mavis Beacon tweets with this brilliantly topical image.) The trio credit themselves in the show only by their Twitter handles, and have presented virtual carnations to wisenheimers whose tweets they respect (@Remiel, @Moltz, @EffingBoring).

"You Look Nice Today" (@ylnt) is more of an improvisational highwire act than Jordan, Jesse, GO! (which grounds itself with personal anecdotes and listener calls, and is built upon years of comfortable banter both on- and off-air). For YLNT, Mann, Simpson, and Lisagor step onto a metaphorical empty stage and bluster their way through each segment with the manic energy and desperation of college freshmen--hence the May 12 episode, which spent an exorbitant number of minutes describing an imagined early 1980s television show ("The Barber & The Balls") featuring Richard Roundtree as a barber who travels from town to town, solving crimes, with the aid of his talking testicles, as voiced by Estelle Getty. But the sharp editing (by Lisagor) manages to keep the show from falling down, and helps frame the uncomfortable moments as entirely intentional.

(YLNT and JJGo are teaming up for a live show called "The Monsters of Podcasting". Tickets, promoted only through Twitter, sold out in hours. Not sure if I'm going to attempt to get rush tickets on site.)

Many of the bits from YLNT then spread through Twitter, including The Fishstick, a dance set to Archie Bell & The Drells' "Tighten Up" that involves standing in one place and looking from side to side (while, optionally, performing one's kegels). They encouraged listeners to create their own "Fishstick" videos (the video by @lonelysandwich, however, eclipsed them all).

Meanwhile Favotter was having sporadic outages, causing consternation among the wisecrack-addicted. New players³ were unable to participate in the Favotter system even when it did work, because the Twitterers whose votes counted were limited to the original 1000 chosen when Favotter was launched. And Favotter also didn't distinguish between tweets marked as favorites because of their cleverness or because of their utility or "wisdom" (as applied to life or, more often, web startups and "social media").

Enter developer Dean Allen (@textism), who built his own custom tool to scrape Twitter for favorites, called Favrd, that recognized only votes by people in the extended wisenheimer community⁴ (what Mann had taken to calling the "Fun Bunch"). Allen described this exclusivity as his "no-webcock algorithm":

If you see Twitter as a venue for public relations or marketing, or as an audience eager to hear news of a post on your ‘blog’, or a rich hot sticky vertical, or if you consider yourself a web strategist, or if you talk earnestly about social media, or if you can read Techcrunch or listen to the Gillmor gang with a straight face, it’s very unlikely the things you say on Twitter will show up here.

but in what I take as an acknowledgement that his own elitism could itself be labelled "webcockery", Allen made the main graphic for the site an enormous rooster.



Favrd is now the go-to site for the latest in what's funny or clever on Twitter. Two thumbs up by the eligible pool of voters places your tweet on the front page of the site, until it's pushed off by the next wave of favorite tweets. At its worst, like Favotter, Favrd preys on the insecurities of the wiseacre crowd. But at its best, it highlights the work of new and funny Twitterers who have few followers. One can subscribe to the RSS feed of the Favrd main page to keep a finger on the pulse of the Twitter comedy scene without even signing up at Twitter.

As to what's popular among the wisenheimers (who are, mind you, predominantly white and technophilic geeks)? The brevity of the form is well suited to puns and verbal jokes that tweak grammar and punctuation. Rapid digressions in the style of Steven Wright or Jack Handey also work well. But someone stepping in cold will mostly notice all the dick, poop, and fart jokes ("puerile", which I use in the strictest, non-pejorative sense of the word) The influx of vagina-themed raunch from a handful of women has made waves of late, but not enough to displace the boy-centric vibe. Memes burn through and out in a matter of hours these days, such that last week one morning was taken up by tweets responding to a reported meme shortage.

Twitter itself has been having a lot of infrastructural issues, with its database servers down almost as often as they were up over the past week or two. There is some talk in the internet community at large that Twitter is vulnerable to a competitor swooping in and taking its business. At this point I doubt the "Fun Bunch" will pick up and move, unless a new platform will play as well to both their strengths and their emotional need for validation.

Not that I would know anything about that.

Next up in Part 2, some of the Twitterers who make me laugh.

---

¹ I'm not sure if there is a parallel community of funny, outsized Windows or Linux developers, but I'd assert that this particular clique was propped up by the iPhone, arguably the best mobile Twitter device available in the Fall of 2007.

² I'll also note here that Gruber is unparalleled in his outsider analysis of Apple Inc. His blog posts, though at times ridiculously granular in their content, suggest he has a greater big-picture understanding of the company than many of the people I know who work there.

³ I'd include myself here, at this point a wisenheimer-wannabe.

⁴ I was surprised as anyone that I was included in this first pool of voters.

The podcast that is just about my favorite anything these days

I don't get out to movies that much these days, and rarely it seems have two hours to consume movies on DVD. There are TV shows that I watch, and books I read, and intermanet properties that I consume.

But, and I can't believe I haven't mentioned this before, my favorite anything these days is the audio podcast Jordan, Jesse GO! featuring Jesse Thorn and Jordan Morris.



I started sometime around Episode 40 last fall (Ep 62 came out this week), and have since gone back to begin to listen to the complete archive of the show.

Thorn's flagship program is The Sound of Young America, which he distributes as both a podcast and as a public radio show to select stations via PRI. But Jordan, Jesse GO! is why I contribute to his small media empire (MaximumFun.org) every month. (He's having a pledge drive now, and I am considering upping my monthly subscription rate.)

It is difficult to describe the appeal of JJGO! At face value, the concept of two straight white guys in their twenties riffing into microphones for an hour and a half sounds horrific. But their peculiar mix of earnestness, nerdiness, fake irony, and ridiculousness keeps me entertained week after week.

I'll finally note that Ira Glass and his wife both listen to the show (he has interviewed Jesse about it, and she has called into the program).

Try episode 40 on for size. If you're not hooked after that, you're out of the wedding.

Fake Vintage Cinematic Camp: "Italian Spiderman"

This is one of those YouTube things that 1.7 million people have watched before you've heard word one about it, a trailer purportedly from a 1968 Italian exploitation movie.

Watch it now. Seriously, watch it.



In actuality it was a student film project, shot on 16mm in what Flinders University student Dario Russo claims was a single day. (Seems like that would have been an awfully long day.)

The team behind the trailers has been developing the project into something "feature-length", in reality 25 or so short bits to be posted weekly on YouTube. The first episode debuted this week, and while it doesn't quite live up to the trailer, there is still some daft genius at work (e.g. when a villain's head explodes into a clump of rubber snakes).

You can also download two original music tracks at iTunes (DRM-free). I just did.